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Image: Roh Smith

Based in South Australia, Rebecca Hastings' practice engages with themes of the Posthuman condition, reflecting and drawing on both personal and collective existential anxieties.  Adopting the conventions of figurative and still life painting genres, uncanny and gothic tropes interact with the everyday to convey otherworldly, surreal narratives. These embodiments of unease acknowledge the inexpressible, playing out as memento mori for our home, our innocence, and our humanity. 

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Hastings graduated from Adelaide Central School of Art in 2011 with a Bachelor of Visual Art (Honours), and in 2017 received a Master of Visual Art (Research) from the University of South Australia (UniSA), supported by an Australian Post Graduate Award.

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Awards and grants include Art SA Project grants and a UniSA Graduate Research Travel and Research Support Scholarship enabling a research residency in Japan in 2017. Her work has been shortlisted for the BP Portrait Prize 2015 (National Portrait Gallery, London), and a Finalist in a range of significant art prizes, including the Arthur Guy Memorial Painting Prize (2021), the Eutick Memorial Still Life Award (2012), the Sulman prize (2014 and 2015), and the Archibald prize (2014).  Hastings has exhibited widely, with work held in collections nationally and internationally.

FEED Video: Roh Smith

SOLO
EXHIBITIONS

2024

FEED,  Flinders Lane Gallery, Melbourne, VIC

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2023   

By the time you read this we shall all be dead,  Praxis Artspace,  Adelaide, SA

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2020   

Two minutes to midnight, MAY SPACE, Sydney, NSW

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2018

The Eternal Youths, Flinders Lane Gallery, Melbourne, VIC

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2016    

We went for a walk in The Uncanny Valley, Flinders Lane Gallery, Melbourne, VIC

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2014

The Other Mother, Flinders Lane Gallery, Melbourne, VIC

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2013    

Scold, Hill Smith Gallery, Adelaide, SA

Disquiet, Flinders Lane Gallery, Melbourne, VIC

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2012

Offering, The Hotel Metropolitan, Adelaide, SA

Portal, Adelaide Central Gallery, Adelaide, SA

GROUP
EXHIBITIONS

2024

Horizons,  Flinders Lane Gallery, Melbourne, VIC

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2022    

New, MAY SPACE Online, Sydney, NSW

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2021    

Arthur Guy Memorial Painting Prize, Bendigo Art Gallery, Bendigo, VIC

CCH Art Prize, Light Square Gallery, Adelaide, SA

Tatiara Art Prize, Walkway Gallery, Bordertown, SA

20/21, MAY SPACE Online, Sydney, NSW

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2017

Familiar, Modern Eden, San Francisco, USA

In Your Face, Flinders Lane Gallery, VIC

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2016

Fuse, Flinders Lane Gallery, VIC

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2015

There’s no place like home, Sydney Art Fair, M Contemporary, Sydney, NSW

The Sulman Prize, Art Gallery of New South Wales, Sydney, NSW

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2014

The Dark Side, Melbourne Art Fair, Flinders Lane Gallery, VIC

SALA, The Advertiser, Adelaide, SA

Archibald Prize, Art Gallery of NSW, and regional galleries, NSW and VIC

The Sulman Prize, Art Gallery of New South Wales, Sydney, NSW

Dead or Alive, Adelaide Central Gallery, Adelaide, SA

Through the Mirror Ball, BMG Gallery, Adelaide, SA

Portrait Show, Flinders Lane Gallery, Melbourne, VIC

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2012

Triple Happiness, Flinders Lane Gallery, Melbourne, VIC

The Eutick Memorial Still Life Exhibition, Coffs Harbour Regional Gallery, Coffs Harbour, NSW

Exploration 12, Flinders Lane Gallery, Melbourne, VIC

Helpmann Academy Graduate Exhibition, Adelaide, SA

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2011

Emergence, ACSA Graduate Exhibition, Adelaide Central Gallery, Adelaide, SA

AWARDS
AND PRIZES

2021    

Finalist, Arthur Guy Memorial Painting Prize, Bendigo, Vic

Finalist, Centre for Creative Health Art Prize, Adelaide, SA

Finalist, Tatiara Art Prize, Walkway Gallery, Bordertown, SA

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2020

Grant, National Assistance Program for the Arts, The Myer Foundation

Independent Makers and Presenters Project Grant, Arts SA  

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2017

Graduate Research Travel and Research Support Scholarship, UniSA

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2016

Australian Post Graduate Award (Scholarship Masters by Research)

SELECTED
PUBLICATIONS

ARTICLES AND REVIEWS

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Megna, Eleanor, “Rebecca Hastings - Artist in focus",  MAYSPACE ONLINE, 2021

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Llewellyn Jane, “Profile Rebecca Hastings”, The Adelaide Review, Issue 484, June 2020

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Art Collector, “Rebecca Hastings”, Special Edition Sydney Contemporary Art Fair, Sept, 2015

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McDonald, Patrick. “Mum’s the painter’s main word”, The Advertiser, 2014

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Tilgas, K. “Is this your first time?”, Art Gallery of NSW, 21st July 2014

http://www.artgallery.nsw.gov.au/blog/posts/is-this-your-first-time/

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Anderson, P. “Archibald prize finalists review”, The Daily Review, 15th July http://dailyreview.crikey.com.au/archibald-prize-finalists-review-agnsw-sydney/

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Nelson Robert,  “Resisting walls and shrinking spaces”, The Age, 12th June, 2013 

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Luxford Phe, “Disquiet” The Melbourne Review Online, 12the June 2013

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“Rebecca Hastings – Process”, Artist Profile, Issue 22, March 2013

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The Adelaide Review, Issue 390, August 2012, Front cover and p. 41

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Fleming Kylie. “Mixed emotions”, Adelaide Matters, June 2012

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“Graduates come together in show of best and freshest”, Update, Helpmann Academy, Vol 19, No 1, Issue 75, 2012

 

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CATALOGUES AND ESSAYS

 

Mary-Jean Richardson, “FEED" Catalogue Essay, Flinders Lane Gallery, VIC, 2024

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Walker Wendy, “The Eternal Youths" Catalogue Essay, Flinders Lane Gallery, VIC, 2018

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Millner Jaqueline. “We went for a walk in the Uncanny Valley” Catalogue Essay, Flinders Lane Gallery, VIC, 2016

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Brown Marguerite “The Other Mother”, Catalogue Essay, Flinders Lane Gallery, VIC, 2014

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Archibald Prize Catalogue 2014, Art Gallery of New South Wales

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Neylon John, “The Other Mother”, Catalogue Essay, Hill Smith Gallery, SA, 2013

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Luxford Phe, “Disquiet” Exhibition Catalogue, Flinders Lane Gallery, Vic, 2013

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Dance Polly “From chaos to order”, Helpmann Academy Graduate Exhibition Catalogue, 2012

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“Emergence”, Update, Helpmann Academy, Vol 18, No 4, Issue 74, 2012

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BOOKS

The Big Book of Little Art Essays (2024)Flinders Lane Gallery

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The Splicer I (2021), reproduced in Luxemburg, Gesellschaftsanalyse und linke Praxis, 3/2022, front cover

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Gazing into the Anthropocene II (2017), iScape I (2015), and The Eternal Youths  IV (2018)  Reproduced in Jason Moore, The Capitalocene, Maize 6, 2019

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She left us at Ikea and went off to find herself (pink) (2014), reproduced in Jean-Jacques Rousseau, Emilio, Libri Mondadori, Italy, 2017

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Smell this (2011), reproduced in Roy, D., Baker, W., & Hamilton, A. Teaching the Arts: Early childhood and primary education, Port Melbourne, Vic: Cambridge University Press, 2012

PROFESSIONAL EXPERIENCE

2024    

Artist in Residence, Adelaide Central School of Art, SA

Keynote Speaker, Visual Art Educators South Australia (VAESA) Conference, SA

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2023 - CURRENT

Lecturer, Adelaide Central School of Art, SA

Private Tutor

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2019

Master of Visual Art, University of South Australia (UniSA), SA

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2017

Research Residency, Japan

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2012-2016

Lecturer and Tutor Visual Arts, Flinders University, Adelaide, SA

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2011

Bachelor of Visual Art with Honours, Adelaide Central School of Art, SA

​Adelaide Central School of Art Academic Board, Student Representative

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