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2020
Hastings_She awoke to the sound of the b
TWO MINUTES TO MIDNIGHT

Solo exhibition with MAYSPACE Gallery, NSW.

Image: Detail She awoke to the sound of the broken, 2020, 180 x 150cm, oil on polycotton

Rebecca Hastings Profile Adelaide Review
THE ADELAIDE REVIEW

Profiled by Jane Lllewellyn in The Adelaide Review.

Hastings_The impossibility of my life be
PROJECT GRANT

Awarded an Independent Makers and Presenters Project Grant by Arts SA to fund an upcoming exhibition with MAY SPACE gallery in August 2020.

2019
FEATURED IN ON-LINE JOURNAL MAIZE.
Capitalocene first 2 pages.jpg

Gazing into the Anthropocene II, iScape I and The Eternal Youths IV feature alongside Capitalocene and Planetary Justice by Jason Moore in the on-line academic journal Maize.

Rebecca Hastings, The Eternal Youths II,
MASTERS IN VISUAL ART.

Image: Detail The Eternal Youths  II,   2018, oil on board, 120 x 120 cm

2018
Rebecca Hastings, The Eternal Youths I,
THE ETERNAL YOUTHS.

Solo exhibition with Flinders Lane Gallery. 

Image: Detail The Eternal Youths I,   2018, oil on board, 120 x 120 cm

PROMO FILMS.

A series of short promo films put together by director Roh Smith about the making of The Eternal Youths.

HELPMANN ACADEMY GRADUATE EXHIBITION.

The Eternal Youths (The Fetish) is selected for inclusion in this year's Helpmann Academy Graduate exhibition.

Image: Detail The Eternal Youths (The Fetish), 2017, oil on board, 120 x 120 cm

2017
INTERNATIONAL EXHIBITION.

Exhibited with Modern Eden in San Francisco as part of Familiar. 

Image: The Approach I (Osorezan), 2017, oil on board, 38.5 x 38.5 cm

JAPAN RESEARCH RESIDENCY.

Travelled to Japan as part of Masters research studies. This trip was funded by an International Travel award from UniSA and included a Buddhist Pilgrimage trek and a journey to the sacred Osorezan - fear mountain - in Northern Japan.

Image: The Approach II (Osorezan), 2017, oil on board, 38.5 x 38.5 cm

IN YOUR FACE, GROUP SHOW.

Exhibited alongside Flinders Lane Gallery artists as part of the In Your Face portrait show. Pictured here with FLG director Claire Harris (left),

Images: Gazing into the Anthropocene I & II, 2017, oil on board, 75 x 65 cm

GRADUATE TRAVEL SCHOLARSHIP.

$10,000 UniSA Graduate Research Travel and Research Support Scholarship, based on professional and academic excellence. 

2016
ON THE COVER OF INTERNATIONAL PUBLICATION.

Featured on the front cover of Italian re-printed publication "Emilio" by Swiss Philosopher Jean-Jacques Rousseau.

Image: She left us at Ikea and went off to find herself (pink), 2014, oil on board, 100 x 100 cm, 

2016
WE WENT FOR A WALK IN THE UNCANNY VALLEY.

Solo show at Flinders Lane Gallery.

Images: We went for a walk in the Uncanny Valley I & II, 2016, oil on board, 60 x 60 cm

END OF TRANSMISSION.

Three new paintings exploring themes of the Posthuman condition included in the group show Fuse at Flinders Lane Gallery.

Image: End of Transmission III, 2016, oil on board, 120 x 120 cm

AUSTRALIAN POST GRADUATE AWARD.

Scholarship awarded to study Masters by Research at UniSA.

2015
SYDNEY ART FAIR.

Group show There's no place like home with M Contemporary. 

Image: iScape I, 2015, oil on board, 150 x 120 cm

AUSTRALIAN POST GRADUATE AWARD.

Scholarship awarded to study Masters by Research at UniSA.

FINALIST SULMAN PRIZE, ART GALLERY OF NSW.

Image: She left us at Ikea and went off to find herself (green), 2014, oil on board, 100 x 100cm

SHORT-LISTED IN LONDON.

Sticky Fingers is short-listed for the BP National Portrait Prize at the National Portrait Gallery in London. 

Image: Sticky Fingers, 2014, oil on board, 70 x 70 cm

2014
THE OTHER MOTHER.

Solo exhibition with Flinders Lane Gallery.

Image: Are these yours?, 2014, oil on board, 30 x 30 cm

MELBOURNE ART FAIR.

Exhibited as part of group show The Dark Side with Flinders Lane Gallery.

Image: Rude Fingers I, 2014, oil on board, 100 x 100 cm

FINALIST THE ARCHIBALD PRIZE.

The Onesie is a Finalist in this year's Archibald Prize at the Art Gallery of New South Wales.

Image: The Onesie, 2014, oil on board, 100 x 100 cm

FINALIST THE SULMAN PRIZE.

The Hoodie (his) is a Finalist in this year's Sulman Prize at the Art Gallery of New South Wales.

Image: The Hoodie (his), 2014, oil on board, 100 x 100 cm

FEATURED ON THE FRONT COVER OF SA WEEKEND.

The Advertiser's weekend lift-out  features work from this year's SALA festival.

Image: The Bridle, 2014, oil on board, 100 x 100 cm

DEAD OR ALIVE.

Exhibited alongside Daryl Austin and Mary-Jean Richardson as part of this group show at Adelaide Central Gallery.

Image: Little Creepy, 2014, oil on board, 35 x 35 cm

2013
SCOLD.

Solo exhibition at Hill Smith Gallery.

Image: The Hoodie (hers), 2013, oil on board, 100 x 100cm

INDEPENDENT MAKERS AND PRESENTERS GRANT.

This Arts SA grant was used to create the Disquiet painting series.  

SELL OUT SHOW.

First solo exhibition with Flinders Lane Gallery is a sell out.

Image: Disquiet IV (The Buttons), 2013, oil on board, 70 x 70 cm

2012
WINNER PLEYSIER PERKINS ART PRIZE.

$5000 prize awarded as part of Exploration 12, Flinders Lane Gallery's annual emerging artist exhibition.

Image: Rabbit Boy, 2012, oil on board, 40 x 40 cm

FEATURED IN ARTIST PROFILE.
FEATURED ON THE FRONT COVER OF THE ADELAIDE REVIEW.

Image: Rabbit Boy, 2012, oil on board, 40 x 40 cm

WINNER HELPMANN ACADEMY GRADUATE EXHIBITION.

Winner of the SALA festival award.

Image: Unwholesome IV (detail), 2011, oil on board, 20 x 20 cm

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